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William Taylor, a boy born blind, looking in a mirror after his sight had been restored by surgery. Etching by T. Worlidge, 1751.

Henry Jenkins, aged 169. Etching by T. Worlidge, 1752, after R. Walker.

John Evelyn. Line engraving by J. Tookey after T. Worlidge.

The installation of the Earl of Westmorland as Chancellor of Oxford University in the Sheldonian Theatre at Oxford. Engraving by T. Worlidge, 1761.

Christ among sick people and the Pharisees ('The hundred guilder print'). Etching by T. Worlidge, 1758, after Rembrandt, 1649.

Dissections of abortions of around eight and nine weeks: six figures, each with an accompanying line diagram. Copperplate engraving by T. Worlidge after J.V. Rymsdyk, 1774, reprinted 1851.

Apollo. Etching by T. Worlidge.

Henry Jenkins, aged 169. Etching by T. Worlidge, 1792, after R. Walker.

Sir James Edward Smith. Etching by Mrs D. Turner after T. Worlidge.

The head of a man in a fur hat in profile to right. Soft ground etching by B. Green, 1780, after T. Worlidge.

The head of an old man in a turban directed to left, looking to front. Soft ground etching by B. Green, 1775, after T. Worlidge.

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Worlidge, T. (Thomas), 1700-1766

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Henry Jenkins, aged 169. Etching by T. Worlidge, 1752, after R. Walker.

Henry Jenkins, aged 169. Etching by T. Worlidge, 1792, after R. Walker.

The head of a man in a fur hat in profile to right. Soft ground etching by B. Green, 1780, after T. Worlidge.

John Evelyn. Line engraving by J. Tookey after T. Worlidge.

The head of an old man in a turban directed to left, looking to front. Soft ground etching by B. Green, 1775, after T. Worlidge.