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An anxious man comparing his own head to a skull, using the technique of phrenology. Coloured lithograph after T. Lane, c. 1825.

A fat farmer and a young woman at a sea-side resort; behind them are two establishments, "Baths Shampooing" and "Charles Wright's Champagne". Aquatint with etching by G. Hunt and T. Lane after T. Lane.

A man and woman dance outside a tavern named after George IV, a man plays a pipe and people sit drinking decorously. Etching by T. Lane (?), 1822, after J. Gillray.

A man sits with a devil on one shoulder, and a cherub on the other, contemplating all the stages of marriage. Coloured aquatint by T. Lane after himself.

An anxious man comparing his own head to a skull, using the technique of phrenology. Oil painting by Theodore Lane, 182-.

A barber cuts a man's face while shaving him; a second barber cuts a cross-eyed boy's hair; a third lathers the face of another man. Coloured aquatint by G. Hunt after T. Lane.

A group of merry, dancing former invalids discarding their medicines in favour of alcohol as a cure. Coloured aquatint by G. Hunt, 1827, after T. Lane.

A young woman escapes down a rope of sheets, intending to elope with her lover. Aquatint by T. Lane after himself.

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Lane, Theodore, 1800-1828

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An anxious man comparing his own head to a skull, using the technique of phrenology. Oil painting by Theodore Lane, 182-.

A man and woman dance outside a tavern named after George IV, a man plays a pipe and people sit drinking decorously. Etching by T. Lane (?), 1822, after J. Gillray.

A group of merry, dancing former invalids discarding their medicines in favour of alcohol as a cure. Coloured aquatint by G. Hunt, 1827, after T. Lane.

A young woman escapes down a rope of sheets, intending to elope with her lover. Aquatint by T. Lane after himself.

An anxious man comparing his own head to a skull, using the technique of phrenology. Coloured lithograph after T. Lane, c. 1825.