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  • A poor London street strewn with hopeless drunkards and lined with gin shops and a flourishing pawnbroker. Engraving, c. 1751, after W. Hogarth.
  • Egypt: a street with a man smoking and riding a camel. Chromolithograph after C. F. H. Werner, 1873.
  • Phrenological properties of drawing: colour, form, space, order. Etching by G. Cruikshank, 1826.
  • A street scene with a tall man offering snuff to a short, fat man. Coloured etching by W.P., 1827.
  • Crowded dark streets full of dead and dying people, bodies are being loaded on to a cart; representing cholera. Watercolour by R. Cooper.
  • Boer War: a large crowd in Cape Town on hearing news of the relief of Kimberley. Halftone, 1900, after J. Bruton.
  • A busy street corner with traders stopping for a tankard of beer and an artist painting a pub sign. Engraving, c. 1751, after W. Hogarth.
  • Above Bar Street, Southampton, Hampshire. Coloured engraving by P. Brannon, 1846.
  • A surgeon extracting a guinea worm from a man's leg, in the background is a similar scene after a successful operation, a surgeon is holding a long worm. Photograph of a halftone after an engraving by J. Luyken.
  • A drunken street brawl between four young colporteurs and a man, with two accompanying couplets. Etching, 16th century (?).
  • India: a ruined street showing the house in which the king was confined. Photograph by F. Beato, c. 1858.
  • A busy street corner with traders stopping for a tankard of beer and an artist painting a pub sign. Engraving, c. 1751, after W. Hogarth.
  • A busy street corner with traders stopping for a tankard of beer and an artist painting a pub sign. Engraving by T. Cook, c. 1800, after W. Hogarth.
  • Men, women and children are using roller skates as a mode of transport around the streets. Wood engraving.
  • Sion College, London Wall, London: view of the north facade, with a man climbing a ladder to attend to a street lamp. Etching, 1800.
  • A busy street corner with traders stopping for a tankard of beer and an artist painting a pub sign. Engraving, c. 1751, after W. Hogarth.
  • An almost deserted street in London in the early morning: a woman serves a man and a boy with a hot drink, and a policeman rests against a bollard. Etching by George Cruikshank, 1839.
  • A busy street corner with traders stopping for a tankard of beer and an artist painting a pub sign. Engraving, c. 1751, after W. Hogarth.
  • Two Chinese men stand by a shop window while opium smokers sit on the terrace above. Pencil drawing with sepia wash by W. J. Bellairs, 19th century.
  • A London street scene, mid-19th century, with a tobacconist's shop. Wood-engraving.
  • Oxford: panoramic view of the High Street showing various colleges and churches. Line engraving by J. Newman.
  • A poor London street strewn with hopeless drunkards and lined with gin shops and a flourishing pawnbroker. Engraving, c. 1751, after W. Hogarth.
  • A drunken man begs in the street with his family, all ruined through his drinking habit. Etching by G. Cruikshank, 1847, after himself.
  • Phrenological properties of drawing: colour, form, space, order. Etching by G. Cruikshank, 1826.
  • An episode in the play L'école des femmes by Molière: Horace, standing in a city street, asks Arnulphe (in disguise) to look after Agnès. Engraving by F. Joullain, 1726, after C.A. Coypel.
  • A drunken employee is thrown out on the street by his master. Lithograph, c. 1840, after T. Wilson.
  • A busy street corner with traders stopping for a tankard of beer and an artist painting a pub sign. Engraving, c. 1751, after W. Hogarth.
  • Shops of hashish merchants on a street in Cairo. Chromolithograph by A. Preziosi, c. 1850, after himself.
  • A young man buying a potion (to induce falling in love?) from a street medicine vendor from Molière's play L'amour médecin. Engraving after J.B. Molière.
  • A street scene in Cairo with a street seller at work. Coloured lithograph by J. C. Bourne, c. 1840, after O. B. Carter.