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Christ Church, Oxford: library. Line engraving by J. Le Keux, 1832, after J. Mackenzie.
MacKenzie, J.Date: 1 December 1832Reference: 20446i
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Queen's College, Oxford. Line engraving by J. & H.S. Storer, 1821.
Date: 1821Reference: 20668i
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Queen's College, Oxford: panoramic view. Line engraving.
Reference: 20669i
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The statue of Pallas Athene (Palladion, Palladium) at Troy. Etching after A. van Diepenbeeck.
Diepenbeeck, Abraham van, 1596-1675.Date: [between 1655 and 1733?]Reference: 2917585i
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Temple of Minerva Medica, Rome: panoramic views. Etching by J. Hastings after R. Wilson.
Wilson, Richard, 1713-1782.Reference: 22585i
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Queen's College, Oxford: panoramic view with the High Street. Etching by J. Newman.
Newman, J.Reference: 20683i
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One of the seven Acts of Mercy: Heal the sick. Line engraving by S. Bourdon after himself.
Bourdon, Sébastien, 1616-1671.Reference: 18130i
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Hospital, Messina, Sicily, Italy: the central square with a numbered key. Tinted etching by J. Deny, 1783.
Deny, Jeanne, 1749-Date: 1783Reference: 18378i
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Christ Church, Oxford: Canterbury gate. Wood engraving.
Reference: 20468i
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Magdalen College, Oxford. Line engraving by I. Green.
Green, I.Reference: 20543i
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One of the seven Acts of Mercy: Free the captives. Line engraving by S. Bourdon after himself.
Bourdon, Sébastien, 1616-1671.Reference: 18131i
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Christ Church, Oxford: from the gardens. Coloured etching by W.B. Cooke, 1838, after J.M. Ince.
Ince, Joseph Murray, 1806-1859.Date: 1 August 1838Reference: 20458i
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Messina Port, Messina, Sicily, Italy: St. John's Square, with a key. Tinted etching.
Reference: 18383i
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Queen's College, Oxford: showing panoramic view of All Souls College and St. Mary's Church. Line engraving.
Reference: 20664i
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A man in a Roman helmet (or Minerva?) leads two children up a hill towards two temples; representing the learning of words and spelling. Engraving by W.C. Wrankmore after T. Stothard.
Stothard, Thomas, 1755-1834.Date: 1836Reference: 28973i
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Queen's College and High Street, Oxford: panoramic view. Reproduction of a drawing by V.H. Bailey.
Bailey, Vernon Howe, 1874-1953.Reference: 20490i
Pictures
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Collegium Romanum, Rome: with the extended piazza a key to the surrounding buildings. Line engraving.
Reference: 22560i
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A body lying in a Graeco-Roman building, surrounded with vessels and sculpted figures. Drawing.
Reference: 46934i
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Online
The British Museum: the entrance facade, during the delivery of the tomb of Mausolus. Wood engraving by C. D. Laing after B. Sly, 1849.
Sly, Benjamin, active 1841-1883.Date: 1849Reference: 38467i

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Christ Church, Oxford: library. Line engraving by J. Le Keux, 1832, after J. Mackenzie.

Queen's College, Oxford. Line engraving by J. & H.S. Storer, 1821.

Queen's College, Oxford: panoramic view. Line engraving.

The statue of Pallas Athene (Palladion, Palladium) at Troy. Etching after A. van Diepenbeeck.

Temple of Minerva Medica, Rome: panoramic views. Etching by J. Hastings after R. Wilson.

Queen's College, Oxford: panoramic view with the High Street. Etching by J. Newman.

One of the seven Acts of Mercy: Heal the sick. Line engraving by S. Bourdon after himself.

Hospital, Messina, Sicily, Italy: the central square with a numbered key. Tinted etching by J. Deny, 1783.

Christ Church, Oxford: Canterbury gate. Wood engraving.

Magdalen College, Oxford. Line engraving by I. Green.

One of the seven Acts of Mercy: Free the captives. Line engraving by S. Bourdon after himself.

Christ Church, Oxford: from the gardens. Coloured etching by W.B. Cooke, 1838, after J.M. Ince.

Messina Port, Messina, Sicily, Italy: St. John's Square, with a key. Tinted etching.

Queen's College, Oxford: showing panoramic view of All Souls College and St. Mary's Church. Line engraving.

A man in a Roman helmet (or Minerva?) leads two children up a hill towards two temples; representing the learning of words and spelling. Engraving by W.C. Wrankmore after T. Stothard.

Queen's College and High Street, Oxford: panoramic view. Reproduction of a drawing by V.H. Bailey.

Collegium Romanum, Rome: with the extended piazza a key to the surrounding buildings. Line engraving.

A body lying in a Graeco-Roman building, surrounded with vessels and sculpted figures. Drawing.

The British Museum: the entrance facade, during the delivery of the tomb of Mausolus. Wood engraving by C. D. Laing after B. Sly, 1849.