The British Museum: working-class people attending a guided tour and looking at exhibits of English history in glass cases and on the walls. Etching by G. Cruikshank, 1843.
- Cruikshank, George, 1792-1878.
- Date:
- [1843]
- Reference:
- 32525i
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- Online
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The exhibits on the left are instruments of torture, punishment and execution: fetters, the stocks, cat o'nine tails, handcuffs, gibbet (for asphyxiation by hanging), "the new drop" (for breaking neck by hanging), the pillory. Top, portraits of famous coachmen on the highways to London from Yorkshire, Bristol and Birmingham ("Yorkshire Jim, Bristol Bill, Brummegum Joe"), grouped together as "The red noses". Right a small model of a stage-coach, and life-size models of a Whig and a Tory. Right foreground, an English tax-gatherer's book, labelled "A tax-gatherer's book. Vill show vat the slaves of this land used to submit to!!! NB very scarse cos it's the only vun there is"
"George Cruikshank's nineteenth-century print, the "British Museum: curiosities of ancient times," depicts a group of tourists looking at a sequence of torture devices representing a "tyrannical" ancient English past, amid references to vanishing "races" and abuses to which the poor and enslaved had formerly been subject. The scene makes fun of the narcissism of progress, and the self-congratulating role of museums in seeming to make barbarous cruelty a thing of the past, precisely through displaying its instruments as curiosities."--Delbourgo, op. cit. pp. 19-20
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