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  • Saint Peter is crucified upside down. Engraving by C. Tinti, 1784, after G. Reni.
  • Jesus is arrested in the night in the garden of Gethsemane. Engraving by A. Reindel after H. Füger.
  • David rests his hand on Goliath's severed head. Lithograph by B-R. Julien, 1845, after G. Reni.
  • Christ carries his cross to Golgotha. Etching by H. Kipp after J.F. Overbeck, 1846.
  • Rope-making: men testing ropes by pulling with a capstan. Engraving.
  • Rope-making: view of a rope-walk with boys winding ropes (top), details of various weights and a carriage (below). Engraving by A. Bell.
  • The paralytic is lowered through the roof of a crowded house so that Christ can reach him and cure him. Engraving by J. Newton, 1795 (?), after C.R. Ryley.
  • David holds the head of Goliath; soldiers dressed in contemporary uniform stand by. Engraving by N. de Bruyn after himself, 1609.
  • Rope-making: details of various parts of a rope-making machine. Engraving by G. Daws.
  • Roman soldiers beat Christ before the high priest. Line engraving by J. Sadeler, 1589, after C. Schwartz.
  • Rahab hangs the scarlet cord from her window. Autotype after F.J. Shields, 1877.
  • Bridges: a temporary rope bridge. Engraving by J. H. Kernot after C. Varley.
  • Christ, tied to a column, being whipped by two men. Engraving after A. Durer, 1512.
  • Christ bound and beaten by Jews. Etching by Heinrich Nüsser after J.F. Overbeck, 1850.
  • The mocking and flagellation of Christ; he is crowned with thorns and beaten with sticks. Drawing by F. Rosaspina, c. 1830, after L. Carracci.
  • Samson releases himself from his bonds; Delilah and the Philistines are astonished. Etching by B. Audran after F. Verdier, 1698.
  • Christ carrying the cross amidst a long procession. Engraving by N. Larmessin after Raphael.
  • The binding and flagellation of Christ. Drawing by F. Rosaspina, c. 1830, after L. Carracci.
  • Rope-making, showing weights and different ways of winding. Engraving by Prevost.
  • As Samson breaks his bonds, Delilah pulls back the curtain to reveal her soldiers. Engraving after J.F. Rigaud.
  • Christ lies on the ground, beaten and mocked. Etching by L. Simonneau after himself.
  • A paralysed man is lowered down through the roof so Christ can reach him through the crowds. Wood engraving by A. Gaber.
  • The flagellation of Christ. Etching by H. Nüsser after J.F. Overbeck, 1843.
  • Bartholomew Fair, site of St. Bartholomew's Hospital, London, pictured in 1721. Aquatint with etching after T. Loggon, c. 1824 (?).
  • Group A Streptococci are a species of gram-positive bacteria responsible for causing a number of pyogenic (pus-producing) infections including impetigo, scarlet fever and pneumonia. Further fatal complications arising from infection include the development of meningitis and sepsis.
  • Group A Streptococci are a species of gram-positive bacteria responsible for causing a number of pyogenic (pus-producing) infections including impetigo, scarlet fever and pneumonia. Further fatal complications arising from infection include the development of meningitis and sepsis.
  • The adoration of the shepherds at the birth of Christ; a bound lamb is placed before the cradle. Engraving by S.F. Ravenet after D. Feti.
  • The mocking and flagellation of Christ; he is crowned with thorns and handed a reed as a mock sceptre. Line engraving by S.A. Bolswert after A. van Dyck.
  • Decorated initial T with putti stringing a dog over the bar of the letter. Woodcut and letterpress, 1543.
  • Bartholomew Fair, site of St. Bartholomew's Hospital, London, pictured in 1721. Aquatint with etching after T. Loggon, c. 1824 (?).