Christ among sick people and the Pharisees ('The hundred guilder print'). Etching by T. Worlidge, 1758, after Rembrandt, 1649.

The sick people proceed out of the dimness of one side of the print towards the half-light in which Christ stands. On the other side, behind two anxious apostles (Peter is closest to Christ), the Pharisees dispute in a glaring light. A woman stands in front of Christ with her baby; a rich young man next to her has his hand clasped to his face. A camel enters from the dark side, behind a cart carrying a child. K.G. Boon, in 'Rembrandt: the complete etchings' (Thames & Hudson : London, 1963), suggests that the print is known as 'The hundred guilder print' because the subject matter is too huge for a simple title; it combines "in one representation the whole nineteenth chapter of the Gospel of St. Matthew, wherein the essence of Christ's ministry is set forth"